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Between Light and Shadow: A Twilight Zone Podcast

Craig Beam (My Life in the Shadow of The Twilight Zone) jumps into the Twilight Zone podcast fray with his own unique and sometimes confusing take on the show. There will be swears, and lots of 'ums' and 'uhs.'
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Between Light and Shadow: A Twilight Zone Podcast
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Now displaying: July, 2019
Jul 7, 2019

This week Craig stares down the barrel of “The Blue Scorpion” as he nears the end of the new Twilight Zone’s first season. Along the way he goes off half-cocked on a 20-gauge trip down memory lane, which may have been triggered (ha!) by second-hand TV smoke (hey, weirder things have happened up in here). He also tells the triumphant tale of one man’s endless quest for a Rondo Hatton Classic Horror Award… which, as fate would have it, isn’t so endless at all.  Listen first, ask questions later.

Check out my appearance on Victor Gamboa’s OUTER LIMITS PODCAST here:

http://thetwilightzonepodcast.com/craig-beam-interview/

 

“Neither Here Nor There (‘Really? Another Revision?’ Revision)” by Twin Loops

“I Never Had No One” performed by Sam the Sham and the Pharaohs (“Old MacDonald Had a Boogaloo Farm” B-side, copyright 1968 by MGM Records)  

“It Ain’t No Easy Thing” performed by Carla Thomas (previously unissued track, recorded between 1960 and 1968, copyright Staxx Records)

“Moon Love” performed by Electric Moon (from the album Lunatics & Lunatics Revenge, copyright 2015 by Sireena Records)

“San and Ashitaka in the Forest of the Deer God” composed by Joe Hisaishi (from the Princess Mononoke soundtrack, copyright 1999 by Milan Records)

Assorted cues from Taxi Driver composed and conducted by Bernard Herrmann (from the Taxi Driver soundtrack, copyright 1976 by Arista Records)

 

The Twilight Zone is a trademark of CBS, Inc.

Between Light and Shadow: A Twilight Zone Podcast is a nonprofit podcast. Music clips and dialogue excerpts used herein are the property of their respective copyright owners; we claim no ownership of these materials. Their use is strictly for illustrative purposes and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107.

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