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Between Light and Shadow: A Twilight Zone Podcast

Craig Beam (My Life in the Shadow of The Twilight Zone) jumps into the Twilight Zone podcast fray with his own unique and sometimes confusing take on the show. There will be swears, and lots of 'ums' and 'uhs.'
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Between Light and Shadow: A Twilight Zone Podcast
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Now displaying: November, 2019
Nov 24, 2019

Sheesh, astral projection phantom kids can be SO annoying, am I right?  Join Craig as he sips some hot chocolate and digs into the classic Twilight Zone episode “Nightmare as a Child,” then jumps forward 25 years into the future to give the 80’s TZ effort “Little Boy Lost” the KID gloves treatment (ha! See what we did there?). Look (well, listen) for a guest appearance by Andrew Ramage of twilightzonemuseum.com fame, then revel in the triumphant return of Dr. Reba Wissner, our very own TZ Music Guru.

 

Theme: “Neither Here Nor There (9/22/2019 Revision)” by Twin Loops

“Twinkle Twinkle Little Star” and “The Hole/TV People” (from the Poltergeist soundtrack composed by Jerry Goldsmith, copyright 1982 by Polygram Records)

“Axel F” performed by Harold Faltermeyer (from the Beverly Hills Cop soundtrack, copyright 1984 by MCA Records)

“Escape (The Piña Colada Song)” performed by Rupert Holmes (from the album Partners in Crime, copyright 1979 by Infinity Records/MCA Records)

“Twinkle Twinkle” (from the album Nature Sounds: Forest Mystique, copyright 2018 by Simply Relaxing Tunes)

“Twinkle Twinkle Little Star” performed by Fabio Perry (music) and Dead-Rose (vocals) (copyright status unknown)

 

Terry Burnham Memorial Project 2016: http://www.twilightzonemuseum.com/actors/terrymemorial.php

 

Dr. Reba Wissner’s A DIMENSION OF SOUND: MUSIC IN THE TWILIGHT ZONE: https://www.amazon.com/Dimension-Sound-Music-Twilight-Media/dp/1576472167/ref=sr_1_1?keywords=reba+wissner&qid=1574613494&sr=8-1

 

Craig’s Twilight Zone 16mm (Mis)Adventure:

http://mylifeintheshadowofthetwilightzone.blogspot.com/search/label/Hollywood%20Theatre

 

The Twilight Zone is a trademark of CBS, Inc.

Between Light and Shadow: A Twilight Zone Podcast is a nonprofit podcast. Music clips and dialogue excerpts used herein are the property of their respective copyright owners; we claim no ownership of these materials. Their use is strictly for illustrative purposes and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107.

Nov 3, 2019

Boo! It’s a word designed to scare… or to heckle a comedian. Somehow both definitions apply this week as Craig tackles his ultimate fear by watching two notoriously awful Twilight Zone comedies (“Mr. Bevis” and “Cavender is Coming”), and honestly, what’s more terrifying than that? It’s a Hallowe’en episode with a smile. Oh wait, that’s not a smile…. that’s a frozen mask of abject terror. Boo!

Twitter: @ZoneCraB

facebook.com/zonepod/

 

Theme: “Neither Here Nor There (Very Hairy Variant)” by Twin Loops

“Opus 185: Descent” composed and performed by Sigmund Krähe (copyright Sigmund Krähe)

“Yakety Sax” (aka The Benny Hill Theme) performed by Ronnie Aldrich and His Orchestra

“The Wild Bunch: Main Title” composed and conducted by Jerry Fielding (from The Wild Bunch Original Motion Picture Soundtrack, copyright 1968 by Warner Records Inc.)

“The Third Man Theme” (aka “The Harry Lime Theme”) performed by Anton Karas (single, copyright 1949 by Decca Records)

“Everybody Wants to Rule the World” performed by Tears for Fears (from the album Songs from the Big Chair, copyright 1985 by Phonogram/Mercury Records)

“Firewater” performed by The Astronauts (from Surf Party: The Original Soundtrack Album, copyright 1964 by 20th Century Records)

“I’m So Glad We Had This Time Together” performed by Carol Burnett (probably copyrighted, I dunno)

 

The Twilight Zone is a trademark of CBS, Inc.

Between Light and Shadow: A Twilight Zone Podcast is a nonprofit podcast. Music clips and dialogue excerpts used herein are the property of their respective copyright owners; we claim no ownership of these materials. Their use is strictly for illustrative purposes and should be considered Fair Use as stated in the Copyright Act of 1976, 17 U.S.C. section 107.

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